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In early 1908 John W. Fenton left the Fenton Art Glass Company after a falling-out with his brother Frank Fenton. [2] Though he remained on the Fenton board of directors. [3] He had helped found Fenton Art Glass with his brother in 1905 . [2] The Millersburg factory was located in Millersburg, OH and was constructed quickly. [3]
As Gisela Richter puts it, the forms of these vases (by convention the term "vase" has a very broad meaning in the field, covering anything that is a vessel of some sort) find their "happiest expression" in the 5th and 6th centuries BC, yet it has been possible to date vases thanks to the variation in a form’s shape over time, a fact ...
The decorative famille rose patterns used in export wares may be differentiated by the following terms: Rose Canton which is decorated with flowers, birds and insects but with no human figures; Rose Mandarin with human figures as the main subject and introduced in the late 18th century; and Rose Medallion which has different panels that may be ...
Harry Northwood c. 1912 Northwood glass works in West Virginia, October 1908. Harry Northwood who founded the company was the son of John Northwood, a noted maker of English cameo glass. [1] He came to America in 1880 and worked at J. H. Hobbs, Brockunier and Company. [1] He worked as a glass etcher there from approximately 1881-1884. [2]
Art glass is a subset of glass art, this latter covering the whole range of art made from glass. Art glass normally refers only to pieces made since the mid-19th century, and typically to those purely made as sculpture or decorative art , with no main utilitarian function, such as serving as a drinking vessel, though of course stained glass ...
Carnival glass was made in a wide array of colours, shades, colour combinations and variants. More than fifty have been formally classified. These classifications do not go by the surface colours showing, which can be even more varied, but by the 'base' colours of the glass before application of the iridizing mineral salts.
'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
Bohemian glass-workers discovered potash combined with chalk created a clear colourless glass that was more stable than glass from Italy. In the 16th century the term Bohemian crystal was used for the first time to distinguish its qualities from glass made elsewhere. This glass contained no lead as is commonly suspected.
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