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Calavaza started silversmithing in 1956 and learned the art from her husband, Juan. Her signature style depicts snakes winding around large gemstones—most commonly turquoise, coral, and onyx—set in sand cast silver pieces including earrings, necklaces, rings, bracelets, watches, and belt buckles.
In traditional Tibetan necklaces dzi beads are usually flanked with coral. Sometimes they are also worn with amber and turquoise beads. The bead is considered to provide positive spiritual benefits to the wearer. These beads are generally prized as protective amulets and are sometimes grounded and used in traditional Tibetan medicine. Beads ...
Wanesia Spry Misquadace (Fond du Lac Ojibwe), jeweler and birch bark biter, 2011 [1]Native American jewelry refers to items of personal adornment, whether for personal use, sale or as art; examples of which include necklaces, earrings, bracelets, rings and pins, as well as ketohs, wampum, and labrets, made by one of the Indigenous peoples of the United States.
Bernard K. Passman (22 January 1916 – 10 February 2007) was a sculptor and jeweller, founder of a black coral jewellery company and brand, Passman (currently [when?] produced by Glyptica, Inc. under licence [1]). [2] Passman founded the eponymous Passman in 1975 on Grand Cayman.
The traditional jewellery made in Bhutan are heavy bracelets, komas or fasteners attached to the kira, the traditional dress of Bhutanese women, loop ear rings set with turquoise and necklaces inlaid with gem stones such as antique turquoise, coral beads and the zhi stone.
Parure made for Farida of Egypt in 1934 Cameo, Ascione, 1925. The Museo del Corallo is a small private museum of coral jewellery in Naples, in Campania in southern Italy. It also holds some cameos and jewellery in ivory and tortoiseshell.
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