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In Turkmen weavings, such as bags and rugs, guls are often repeated to form the basic pattern in the main field (excluding the border). [4] [5]The different Turkmen tribes such as Tekke, Salor, Ersari and Yomut traditionally wove a variety of guls, some of ancient design, but gul designs were often used by more than one tribe, and by non-Turkmens.
A Turkish kilim is a flat-woven rug from Anatolia.Although the name kilim is sometimes used loosely in the West to include all type of rug such as cicim, palaz, soumak and zili, in fact any type other than pile carpets, the name kilim properly denotes a specific weaving technique.
The decorative ryijy rug is an art form unique to Finland. In the late 19th century, ryijy rug weaving developed as a folk art. Some of the most beautiful tapestries were woven then. Ryijys date from as early as the 9th century. Similar in nature to a woolen knotted Persian carpet, the ryijy knots are further apart and made much larger and ...
Mughal carpets were a blend of Persian and Indian artistry uniquely designed with scenic landscapes, floral, and animal patterns. Kashmir was producing the finest wool and silk carpets and rugs, including prayer rugs. Sometimes the knot density in these rugs was so fine and tight as 300 knots per square centimeter.
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Rug-of-War by Mimi Kirk, Smithsonian, 4 February 2008; Traditional Afghan patterns and war rugs Traditional Afghan rug patterns relationship to war rugs. Rugs of War, Blog by Nigel Lendon and Prof. Tim Bonyhady of the Australian National University; Drones Are Now Appearing on Afghan Rugs by Cosimo Bizzarri, The Atlantic, 30 January 2015
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Fabric analysis (see section below), used to analyse the fabric of pottery, is important part of archaeology for understanding the archaeological culture of the excavated site by studying the fabric of artifacts, such as their usage, source material composition, decorative pattern, color of patterns, etc.
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