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His architectural work, throughout his entire career, is characterized by a concern for design as Gesamtkunstwerk—a total work of art in which he, together with his first wife Aino Aalto, would design not only the building but the interior surfaces, furniture, lamps, and glassware as well.
Alvar Aalto's Work Year Name Location Notes 1917: Park café [1] Exercise while at Institute of Technology 1918: House [2] [3] Alajärvi: For his parents 1918–1919 [nb 1] Church and belfry [3] Kauhajärvi: Two separate plans were created with the first being the belfry alone and the second the entire church. The second was not utilized. [4 ...
Aalto used the technique extensively: his "Y-leg", introduced in 1947, and his "X-leg" that followed in 1954 are notable examples. The bent wooden parts became distinguishing features in many Aalto furniture designs, such as "Stacking Stool Model 60" and "Tea Trolley Model 98". [2] In 1966 the company was renamed Huonekalutehdas Korhonen Oy. [1]
From the very beginning of his career Alvar Aalto experimented with materials, especially wood, and even applied for patents for the bending of wood as applied in his furniture designs and as acoustic screens in his buildings. The Aaltos designed several different types of furniture and lamps for the Paimio Sanatorium (1929–33).
The church was comprehensively restored in 2016 to its original design. [2] Most notably, the interior colour scheme was changed from its pre-renovation white and light wood — often associated with Aalto's minimalist style — to the original, more colourful one consisting of bright blue and red ceiling and dark grey fixtures.
Although Aalto's design Intra Muros only finished second, the commissioning committee nevertheless chose it as the basis for their new building. [ 1 ] However, the Defence Corps only possessed the building for five years, and in 1934 it was acquired by the Finnish state, and has since then most commonly been referred to as Valtiontalo ( lit.
Gwynn applied that concept later in his career and, at 37, combined a .372 average with a career-best 17 home runs. Suzuki never took the wraps off any real or imagined power game, hitting a ...
The significant vehicle for the development of modernism in Finland was his contemporary, Alvar Aalto, who was a friend of Asplund as well as key Swedish architect Sven Markelius. The latter had invited Aalto to join Congrès International d'Architecture Moderne (CIAM), ostensibly run by Le Corbusier.