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The music was scored by debutant Rajesh Murugesan, while cinematography was handled by Anend C. Chendran. [3] The Malayalam version was released on 10 May 2013, while the Tamil version was released a week later, on 17 May 2013. [4] Neram's both versions received positive reviews upon release and was a commercial success at the box-office. [5]
Neither of them wanted words that we have all already heard." She added that the composer aims positive message to young viewers. The song reflects love, separation, struggle, survival and finally, arising. [5] For both the songs, "Innum Konjam Neram" and "Naetru Aval" the composer and the respective song lyricists maintained simple and flowing ...
Rajesh Murugesan (born 14 May 1988) is an Indian music composer, best known for his compositions in Malayalam cinema for films like Neram and Premam. [ 1 ] [ 2 ] Personal life
Many songs in Indian films are based on ragas of Indian classical music. This song list includes those that are primarily set to the given raga, without major deviation from the musical scale. This song list includes those that are primarily set to the given raga, without major deviation from the musical scale.
Kadhalikka Neramillai (transl. No Time for Love) is a 1964 Indian Tamil-language romantic comedy film produced and directed by C. V. Sridhar, who also conceived and co-wrote its script with Chitralaya Gopu.
This is the Tamil discography of veteran Indian male playback singer K. J. Yesudas, who sang in over 700 songs in Tamil films. [1] [2] [3] Yesudas's first film was in the film Bommai (1963) as Neeyum Bommai Naanum Bommai composed by S. Balachander.
Speaking to Cinema Express, Vijai said that Baby album is "a homage to the Ilaiyaraaja genre of music". [7] 123telugu in their review of the film mentioned that "music by Vijay is a major asset for Baby". [8] Film Companion cited him as "the strongest pillar of Baby". [9] Songs from the film were commercially successful, thus getting him wide ...
Kan Simittum Neram was released on 13 April 1988. [10] Jayamanmadhan of Kalki praised the film for the direction, photography, music and for maintaining the suspense. [11] The Indian Express wrote, "Kalaivanan Kannadasan directing his first film, has to answer for a sloppy script [..] but the good beginning and end perhaps mean that he has just made a beginning and this is not the end".
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