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In Guatemala, brocade is the most popular technique used to decorate fabric woven by Maya weavers on backstrap looms. Ornamental features in brocade are emphasised and wrought as additions to the main fabric, sometimes stiffening it, though more frequently producing on its face the effect of low relief.
Several major silk brocade styles had been developed, like Song Jin (宋锦 Song brocade) in Suzhou, Yun Jin (云锦 Cloud brocade) in Nanjing and Shu Jin (蜀锦 Shu brocade) in Sichuan. Today, most handwork has been replaced by machinery, but some very sophisticated production is still hand-made.
Yunjin (Chinese: 雲錦), Nanjing brocade or cloud brocade, [1] is a traditional Chinese luxury silk brocade made in Nanjing since the end of the Song dynasty, [2] and based on weft-weaving techniques from both the Song and Tang dynasties. [1] It is shuttle-woven, and often incorporates gold and silver threads with the coloured silks. [3]
Sichuan embroidery (traditional Chinese: 川繡; simplified Chinese: 川绣; pinyin: Chuān Xiù; Wade–Giles: Chʻuan-Hsiu) or Shu embroidery (蜀繡; 蜀绣; Shǔ Xiù; Shu-Hsiu), is a style of embroidery folk art native to Sichuan and Chongqing, particularly renowned for its brocade fabrics known as Shu brocade (蜀錦; 蜀锦; Shǔ Jǐn; Shu-Chin).
Most fabrics manufactured in Turkey were made in Istanbul and Bursa, but some textiles came from as far away as Venice, Genoa, Persia (Iran), India, and even China. kaftans were made from velvet, aba, bürümcük (a type of crepe with a silk warp and cotton weft), canfes, çatma (a heavy silk brocade), gezi, diba (Persian: دیبا), hatayi ...
The áo gấm (Vietnamese: [ʔǎːw ɣə̌m], Hán-Nôm: 襖錦) is a modified áo dài made with thicker fabric, and is a traditional brocade tunic for men. [1] It is more elaborate than the formal "áo the", a similar men's tunic.
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