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Open pediments on windows at the Palazzo Farnese, Rome, by Antonio da Sangallo the Younger, begun 1534. A variant is the "segmental" or "arch" pediment, where the normal angular slopes of the cornice are replaced by one in the form of a segment of a circle, in the manner of a depressed arch. [10]
The Parthenon's west pediment depicted the contest between Athena and Poseidon over Attica and the east pediment the birth of Athena. [15] Classical archeologists since Johann Joachim Winckelmann's Geschichte der Kunst des Alterthums (published 1764) have recognized Greek pediment sculpture, in particular the pediments of the Parthenon, as the standard of the highest-quality art in antiquity. [16]
Pedimental sculptures in the United States were rare prior to the 1880s, most surviving examples in cities along the east coast. The earliest seems to be Whitehall (1765), outside Annapolis, Maryland, attributed to English architect Joseph Horatio Anderson and English-born carver William Buckland, typical of early dependence on European talent.
Palazzo style refers to an architectural style of the 19th and 20th centuries based upon the palazzi (palaces) built by wealthy families of the Italian Renaissance. The term refers to the general shape, proportion and a cluster of characteristics, rather than a specific design; hence it is applied to buildings spanning a period of nearly two ...
The pediments of the Parthenon included many statues. The one to the west had a little more than the one to the east. [8] In the description of the Acropolis of Athens by Pausanias, a sentence informs about the chosen themes: the quarrel between Athena and Poseidon for Attica in the west and the birth of Athena in the east.
The Severe Classical Style (500–450 BC) is represented by the pedimental sculptures of the Temple of Zeus at Olympia (470–456 BC). The eastern pediment shows a moment of stillness and "impending drama" before the beginning of a chariot race, the figures of Zeus and the competitors being severe and idealised representations of the human form ...
Greek, "Etruscan" and Roman orders, with stylobate and pediment. An order in architecture is a certain assemblage of parts subject to uniform established proportions, regulated by the office that each part has to perform. [1]
These illustrations depict some of the varying types of pediments and columns commonly found in Ancient Greek and Ancient Roman Architecture. Another distinguishing feature of frontispieces is the style of pediments used which can range from triangular pediments, segmental pediments, open pediments to broken pediments. [6]
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