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Although Nguru are commonly known as nose flutes, it is only the smaller instruments that can be played with the nose, more commonly Nguru are played with the mouth. The Māori "kōauau ponga ihu", a gourd nose flute, was also part of the nose flute tradition; note that a similarly constructed gourd nose flute, ipu ho kio kio was also used in ...
A rosewood nose whistle. The player puts one's nose on the upper hole. The air is directed towards the lower edge, where the open mouth makes the sound. Sound of nose whistle. A nose whistle (also called a "nose flute" or a "humanatone") is a wind instrument played with the nose and mouth cavity. Often made of wood, they are also constructed ...
According to Giddins, Kirk was the first major jazz innovator on flute after Eric Dolphy (who died in 1964). [4] Kirk employed several techniques, including singing or humming into the flute at the same time as playing. Another was to play the standard transverse flute at the same time as a nose flute.
A kalaleng is a nose flute made from bamboo from the Philippines. Tongali . Usually around two feet in length a kalaleng has holes cut in the side, to be stopped by the fingers producing the notes. The player closes one nostril with a bit of cotton, then forces the air from the other into a small hole cut in the end of the tube.
Traditional Chamorro instruments include the belembaotuyan, a hollow gourd stringed instrument, and the nose flute. Kantan singing is also popular. It is a kind of work song, begun by one person teasing another in verse form, and then continuing through a group one individual in turn.
Bulungudyong – vertical flute (Pinatubo Ayta) Diwas; Palendag – lip-valley flute (Kalinga) Tongali – nose flute (Kalinga) Tumpong – bamboo flute; Tulali – flute with 6 holes; Bansik – bamboo flute with three holes of the Negrito people in Zambales; Tambuli – Carabao horn
One unique quality of Polynesian music is the use of the sustained 6th chord in vocal music, though typically the 6th chord is not used in religious music. Traditional instruments include a conch-shell called the pu and a nose flute called the vivo, as well as numerous kinds of drums made from hollowed-out tree trunks and dog or shark skin.
Radio Tonga begins each day's broadcast with a recording from Veʻehala, a nobleman and celebrated virtuoso of the nose flute. The nose flute is otherwise rarely heard. Contemporary youth prefers the guitar. Some ancient dances are still performed, such as ula, ʻotuhaka and meʻetuʻupaki.