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The It Girl is the second studio album by English Britpop band Sleeper, [1] released in May 1996 (see 1996 in music). It was their most successful album, selling over 300,000 copies in the UK alone. [2] The album was released internationally, with the US version having a different track listing and alternative photos in the liner booklet.
Sleeper recorded three full-length albums prior to splitting: Smart, The It Girl and Pleased to Meet You. After the band split up in 1998, Wener began a writing career, [ 5 ] and has written four novels: Goodnight Steve McQueen , The Big Blind (also known as The Perfect Play ), The Half Life of Stars , and Worldwide Adventures In Love .
Martha Sleeper (June 24, 1910 – March 25, 1983) was a film actress of the 1920s–1930s and, later, a Broadway stage actress. She studied dancing for five years with Russian ballet master, Louis H. Chalif , [ 1 ] at his New York dancing studio.
Gretchen Mol is opening up about her life after being the “It Girl” of the ‘90s. "There's always new fresh faces in Hollywood," Mol, 52, told People in an interview published on Saturday ...
"Statuesque" is a song by Britpop band Sleeper, written by the band's vocalist and guitarist Louise Wener. "Statuesque" was the fourth and final single to be released from Sleeper's second album The It Girl and became the group's last top twenty hit on the UK Singles Chart.
The It Girl, by Sleeper, 1996 "It Girl", a song by The Brian Jonestown Massacre from Thank God for Mental Illness, 1996 "It Girl", a song by Apink from Seven Springs of Apink, 2011
While the tracks from The It Girl were being demoed, several tracks had working titles based on characters from Reservoir Dogs; Nice Guy Eddie is the only one that kept that name. [3] A segment of the song was used by BBC Wales for the intro and outro music for their coverage of the FAW Invitational Cup in the late 1990s and early 2000s.
"Inbetweener" was released as a single in January 1995. [6] Author Dave Thompson, in his book Alternative Rock (2000), wrote that it was the most anticipated album of the year that overcame the "hype, hope, and hubris which attended it", despite the tabloid press focusing its efforts "searching for details of Wener's mid-album split" from Stewart. [4] "