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As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...
The picture juxtaposes the similarities between the soft oval white face of the model, as if she were a living mask, with the shiny black mask, also with eyes closed and a serene expression. [4] It also expresses the artist's interest in African art, which had a huge influence in the artistic movements of the first decades of the 20th century. [5]
Chiwara masks are categorized in three ways: horizontal, vertical, or abstract. In addition, Chiwara can be either male or female. Female Chiwara masks are denoted by the presence of a baby antelope and straight horns. Male Chiwara masks have bent horns and a phallus. The sex of a Chiwara mask is much clearer on horizontal and vertical masks ...
The mask is represented both in male and female form. The male version is the most numerous. [4] Kanaga is represented on the flag of French Sudan (1892–1958) and the ephemeral Republic of Sudan (1958–1959). As well as that of the Federation of Mali (1959–1960) grouping Senegal and the Sudanese Republic.
The Benin ivory mask is a miniature sculptural portrait in ivory of Idia, the first Iyoba (Queen Mother) of the 16th century Benin Empire, taking the form of a traditional African mask. [1] The masks were looted by the British from the palace of the Oba of Benin in the Benin Expedition of 1897 .
The face mask on each performer is essential to identify the Okuyi. In Equatorial Guinea masks differ from one another, but in Gabon the design has been kept constant since the nineteenth century. The design is basically a black chin and a black forehead with white covering the cheeks and upper face sides.
The white-faced masks are also used by other Gabon and Zaire rainforest people, such as the Kotas and Mpongwe, [13] The Ashira also share in the white-faced mask tradition, which includes soft facial characteristics. [14] The masks have been linked to the Mukui society and to female ancestor celebration dances, [7] a funerary spirit association ...
In the Chokwe people of Central Africa, the chikunga is a sacred ceremonial mask. Of the many ceremonial masks, the chikunga is considered to be the most powerful, and it is only worn by the tribal chief. The chikunga mask is made by stretching barkcloth over an array of wicker bits. It then is painted black with red and white designs.
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