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John Wesley Harding is the eighth studio album by the American singer-songwriter Bob Dylan, released on December 27, 1967, by Columbia Records. Produced by Bob Johnston , the album marked Dylan's return to semi-acoustic instrumentation and folk-influenced songwriting after three albums of lyrically abstract, blues-indebted rock music .
"All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston . The song's lyrics, which in its original version contain twelve lines, feature a conversation between a joker and a thief.
The Name Above the Title is an album by the folk-rock singer John Wesley Harding, released in 1991. [8] [9] It was his third successive Frank Capra-inspired album title, coming from the director's autobiography. [2] [10]
The album was produced by Harding and Chris Von Sneidern. [6] Harding avoided writing about himself, preferring to tell stories in his songs. [7] He employed tape loops, samples, e-bow, mellotron, and tubular bells on some of the tracks. [8] [9] Awake is a loose concept album, where the songs occur after an alarm clock has buzzed. [10]
Thea Gilmore (pictured in 2004) covered the whole John Wesley Harding album in 2011. Covers of the song include versions by Judy Collins on Who Knows Where The Time Goes (1967), Joan Baez on Any Day Now (1968), and Richie Havens on Richard P. Havens, 1983 (1969). [44] Marion Williams released the song on a single in 1969. [44]
Here Comes the Groom is an album by folk-rock singer John Wesley Harding, released in 1990. [3] Harding called the backing band the Good Liars. It included Pete Thomas and Bruce Thomas of the Attractions. [4] Not surprisingly, Here Comes the Groom has a feel similar to classic Elvis Costello. Harding's articulate and biting vocal delivery, also ...
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Why We Fight is an album by the English musician John Wesley Harding, released in 1992. [2] [3] As with many of Harding's albums, the title is a reference to Frank Capra's work; Harding had considered using the Kinks homage Give the People What I Want as the title. [4] [5] Harding described the album's sound as "folk noir". [6]
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