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A mansard roof on the Château de Dampierre, by Jules Hardouin-Mansart, great-nephew of François Mansart. A mansard or mansard roof (also called French roof or curb roof) is a multi-sided gambrel-style hip roof characterised by two slopes on each of its sides, with the lower slope at a steeper angle than the upper, and often punctured by dormer windows.
The mansard roof, a defining feature of Second Empire design, had evolved since the 16th century in France and Germany and was often employed in 18th- and 19th-century European architecture. Its appearance in the United States was relatively uncommon in the 18th and early 19th centuries.
Bonnet roof: A reversed gambrel or Mansard roof with the lower portion at a lower pitch than the upper portion. Monitor roof: A roof with a monitor; 'a raised structure running part or all of the way along the ridge of a double-pitched roof, with its own roof running parallel with the main roof.'
François Mansart (French pronunciation: [fʁɑ̃swa mɑ̃saʁ]; 23 January 1598 – 23 September 1666) was a French architect credited with introducing classicism into the Baroque architecture of France.
A pattern book, or architectural pattern book, is a book of architectural designs, usually providing enough for non-architects to build structures that are copies or significant derivatives of major architect-designed works. A number of pattern books have been very influential in spreading architectural styles.
Portrait of Jules Hardoun Mansart by Hyacinthe Rigaud, with Les Invalides in background. Jules Hardouin-Mansart (French pronunciation: [ʒyl aʁdwɛ̃ mɑ̃saʁ]; 16 April 1646 – 11 May 1708) was a French Baroque architect and builder whose major work included the Place des Victoires (1684–1690); Place Vendôme (1690); the domed chapel of Les Invalides (1690), and the Grand Trianon of the ...
But the most striking feature borrowed from this period is the steep, boxy mansard roof. You can recognize a mansard roof by its trapezoid shape. Unlike a triangular gable, a mansard roof is almost vertical until the very top, when it abruptly flattens. This singular roofline creates a sense of majesty, and also allows more usable living space ...
In the 1860s, the original roof was replaced by a modified mansard, topped by a cupola. Restoration by the late Louis Ferguson managed to reveal and preserve several elements of the original structure such as the hand-hewn beams of its frame and the lime mortar made from local oyster shells , used to cement its stone wall. [ 7 ]