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"Yes I Will", also known as "I'll Be True to You", is a song written by Gerry Goffin and Russ Titelman. The song was first recorded in 1964 by British Beat group the Hollies who released it as a single in January 1965 where it peaked at number 9 in the United Kingdom that April. [ 2 ]
Beginning in 1974, The Hollies toured with a sixth member on keyboards. First in the role was prolific session contributor Pete Wingfield, who remained a member of the touring lineup for three years. [12] He also contributed to the albums Hollies, Write On, A Crazy Steal and Five Three One - Double Seven O Four. [13]
"King Midas in Reverse" is a song by English pop group the Hollies, written by Graham Nash but credited to Allan Clarke, Nash and Tony Hicks. It was released as a single in September 1967 in anticipation of the band's album Butterfly .
Dear Eloise / King Midas in Reverse is the seventh U.S. studio album by the British pop band the Hollies, released in November 1967."King Midas in Reverse" and "Leave Me" (saved from the UK Evolution track line-up) were slotted onto the album while deleting "Pegasus", "Try It" and "Elevated Observations" from the UK Butterfly track listing.
Ian Parker (born 26 November 1953) is a Scottish keyboardist, vocalist, composer, DJ and producer. [2]Ian has played keyboards with The Hollies since 1991 [1] and with Clannad from 1988 to 2016, extensively touring the world and recording with both bands.
"Jennifer Eccles" is a single by the Hollies. It was released in 1968 with the B-side "Open Up Your Eyes" on the Parlophone label, Catalogue number R5680. The track reached No.7 on the UK singles chart in March 1968. It was released in the US with a different B-side, "Try It", and reached No.40 on the Billboard Hot 100.
A Crazy Steal is a eighteenth studio album by English rock and pop band the Hollies, released on 1 March 1978. [2] It includes their version of Emmylou Harris' "Boulder to Birmingham", which had been released two years prior, reaching number 10 in the charts in New Zealand.
The LP missed the official Record Retailer album chart in the United Kingdom, but entered the Top 10 in the New Zealand chart (No. 9). National Rockstar called the album "one of the most skillfully released pop albums since Honky Château", and Girl About Town magazine in January 1976 wrote, "This album proves how creative and diversified one band and its music can be."
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