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The series follows Stax Records, a record label that ushered in artists, Otis Redding, Isaac Hayes, Booker T. & the M.G.'s, The Staple Singers and Sam & Dave; The label went from being an outsider to one of the most influential producers of music, with an impact even after the label has gone.
The presentation recorded at historic Booker T. Washington High School in Memphis is geared towards students, teachers, youth associations and […] The post Music from Memphis’ Stax Records ...
The Clave Única de Registro de Población (translated into English as Unique Population Registry Code or else as Personal ID Code Number) (abbreviated CURP) is a unique identity code for both citizens and residents of Mexico. Each CURP code is a unique alphanumeric 18-character string intended to prevent duplicate entries.
During the mid-1970s, a number of factors, including a problematic distribution deal with CBS Records, caused the label to slide into insolvency, resulting in its forced closure in late 1975. [3] In 1977, Fantasy Records acquired the post-1968 Stax catalogue and selected pre-1968 recordings. Beginning in 1978, Stax (now owned by Fantasy) began ...
Fans of the soulful sounds of Detroit’s Motown and Memphis’ Stax Records will be able to enjoy music from both brands in the same place if they watch and listen to a free, online show ...
James Frank Stewart [1] (July 29, 1930 – December 5, 2022) was an American record producer and executive who in 1957 co-founded Stax Records with his sister Estelle Axton.
The Stax Museum of American Soul Music is a museum located in Memphis, Tennessee, at 926 East McLemore Avenue, the original location of Stax Records.Stax launched and supported the careers of artists such as Otis Redding, Isaac Hayes, the Staple Singers, Sam & Dave, Booker T. & the M.G.'s, Rufus Thomas, Carla Thomas, Wilson Pickett, Albert King, William Bell, Eddie Floyd, Jean Knight, Mable ...
Homer Banks (August 2, 1941 – April 3, 2003) was an American songwriter, singer and record producer. Although best known by many for his songwriting for Stax Records in the 1960s and 1970s, [1] some of his own releases from the 1960s are considered classics on the Northern Soul scene.