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G.O.O.D. Morning, G.O.O.D. Night, is the second studio album by Chicago-based artist Malik Yusef. It features collaborations with Kanye West and several performers signed to his label GOOD Music. The project contains two CDs, "Dusk" and "Dawn", each of which has a special meaning: "Dusk and Dawn represent the two sides to everything.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Dusk is the fourth studio album by The The. It was recorded in 1992 and released by Sony Records on 25 January 1993. [1] The album peaked at No. 2 in the United Kingdom, and at No. 142 in the United States. In 2002 the album was reissued in remastered form on CD. It is the band's final album to feature guitarist Johnny Marr.
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Twilight occurs according to the solar elevation angle θ s, which is the position of the geometric center of the Sun relative to the horizon. There are three established and widely accepted subcategories of twilight: civil twilight (nearest the horizon), nautical twilight, and astronomical twilight (farthest from the horizon).
The Washington Post wrote that "the lyrics, which embrace both Sufi mysticism and more down-to-earth matters of the heart, are sung, chanted and declaimed, adding to qawwali's alternately hypnotic and cathartic appeal and easily compensating for the language barrier."
THE WIND AT DAWN And the wind, the wind went out to meet with the sun At the dawn when the night was done, And he racked the clouds in lofty disdain As they flocked in his airy train. And the earth was grey, and grey was the sky, In the hour when the stars must die; And the moon had fled with her sad, wan light, For her kingdom was gone with night.
[2] Lyrics such as "No one tells the wind which way to blow" exhort the listener to accept facts that are beyond their control. [3] Humanities professor Dirk Dunbar said that the song "[identifies] the human journey as leading toward a revelation and acceptance of nature's way." [4] The song is a ballad based on Hayward's acoustic guitar. [2]