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As first published under the title "Success" in A Masque of Poets, 1878 "Success is counted sweetest" is a lyric poem by Emily Dickinson written in 1859 and published anonymously in 1864. The poem uses the images of a victorious army and one dying warrior to suggest that only one who has suffered defeat can understand success.
One hundredth of a second. decisecond: 10 −1 s: One tenth of a second. second: 1 s: SI base unit for time. decasecond: 10 s: Ten seconds (one sixth of a minute) minute: 60 s: hectosecond: 100 s: milliday: 1/1000 d (0.001 d) 1.44 minutes, or 86.4 seconds. Also marketed as a ".beat" by the Swatch corporation. moment: 1/40 solar hour (90 s on ...
English independent filmmakers James Walker and John Wallace produced the documentary film High Flight in 2016, which takes its name from the poem, and documents Magee's story, the origin of the poem and the poem's place in the legacy of World War Two iconography, as well as the cultural impact of the era upon the "baby boomer" generation. The ...
In addition to the list of first lines which link to the poems' texts, the table notes each poem's publication in several of the most significant collections of Dickinson's poetry—the "manuscript books" created by Dickinson herself before her demise and published posthumously in 1981; the seven volumes of poetry published posthumously from ...
The Rime of the Ancient Mariner (originally The Rime of the Ancyent Marinere), written by English poet Samuel Taylor Coleridge in 1797–98 and published in 1798 in the first edition of Lyrical Ballads, is a poem that recounts the experiences of a sailor who has returned from a long sea voyage.
Answering a reader's question about the poem in 1879, Longfellow himself summarized that the poem was "a transcript of my thoughts and feelings at the time I wrote, and of the conviction therein expressed, that Life is something more than an idle dream." [13] Richard Henry Stoddard referred to the theme of the poem as a "lesson of endurance". [14]
The poem was first performed at the Six Gallery in San Francisco on October 7, 1955. [14] Ginsberg had not originally intended the poem for performance. The reading was conceived by Wally Hedrick—a painter and co-founder of the Six—who approached Ginsberg in mid-1955 and asked him to organize a poetry reading at the Six Gallery.
More recently, the poem has been called overly-sentimental, as have many of Longfellow's works. Scholar Richard Ruland, for example, warns that modern readers might find it "not only simple and straightforward, but perhaps saccharine overly emotional", though he concludes it is a successful poem. [ 7 ]