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Title page of 12 Fantasias for Solo Violin. Georg Philipp Telemann's collection of 12 Fantasias for Solo Violin, TWV 40:14–25, was published in Hamburg in 1735. It is one of Telemann's collections of music for unaccompanied instruments, the others being twelve fantasias for solo flute and thirty-six for solo harpsichord that were published in Hamburg in 1732–33, as well as a set of twelve ...
A prominent figure of the International Tap Association, he instructed tap dance at his San Francisco studio for 45 years, and was dance director for the Ice Follies (now Disney on Ice). Kahnotation was first published in 1951, with continuing refinements until his death in 1995. Kahnotation is one of the oldest dance notations in use.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The song begins with a discordant string harmony, [77] then a strummed D ninth chord acoustic guitar played by Yorke, [78] backed by B ♭ string tunes, creating a dissonant noise that moves between the D major and F ♯ minor chords. [77] O'Brien used guitar reverbs and delay effects, creating a melody that sinks between the A and E chords. [78]
Clairaudience is essentially the ability to hear in a paranormal manner, as opposed to paranormal seeing (clairvoyance) and feeling (clairsentience). Clairaudience may refer not to actual perception of sound, but may instead indicate impressions of the "inner mental ear" similar to the way many people think words without having auditory ...
Collapsing the wrist to "support" the violin with the heel of the hand is an unfortunate habit that many novice players fall into, and may take years of constant vigilance to overcome. The left forearm will be rather extremely supinated , and the left elbow drawn medially, or to the right.
The score below shows the first four measures of the C-major prelude from J.S. Bach's The Well-Tempered Clavier, Book 1.Letter (a) presents the original score while (b) and (c) present reductions (simplified versions) intended to clarify the harmony and implied voice leading, respectively.
Playing four notes at once is almost impossible. The normal way of playing three or four note chords is to sound the lower notes briefly and allow them to ring while the bow plays the upper notes (a broken chord). This gives the illusion of a true triple or quadruple stop.