Search results
Results from the WOW.Com Content Network
Charleston Farmhouse, near Lewes, East Sussex. Charleston, in East Sussex, is a property associated with the Bloomsbury group, that is open to the public.It was the country home of Vanessa Bell and Duncan Grant and is an example of their decorative style within a domestic context, representing the fruition of more than sixty years of artistic creativity. [1]
Monk's House is a 16th-century weatherboarded cottage in the village of Rodmell, three miles (4.8 km) south of Lewes, East Sussex, England.The writer Virginia Woolf and her husband, the political activist, journalist and editor Leonard Woolf, bought the house by auction at the White Hart Hotel, Lewes, on 1 July 1919 for 700 pounds, and received there many visitors connected to the Bloomsbury ...
Wall of the Sun and Wall of the Moon; War. The Exile and the Rock Limpet; Washington Crossing the Delaware (1851 paintings) We Are Making a New World; The Weeders (Jules Breton) The Wheat Field; Wheat Fields; World War II Victory Medal
For that commission, he created all the wall decorations, Stations of the Cross, furniture, stained-glass windows, and even the vestments and altar cloths. Image credits: Chesnot #7 Pablo Picasso ...
The sale of Vincent van Gogh's Sunflowers was the first time a "modern" (in this case 1888) painting became the record holder. Old master paintings had previously dominated the market. [3] In contrast, there are currently only nine pre-1875 paintings among the listed top 89, and none created between 1635 and 1874. [citation needed]
Morris aided Rossetti and Burne-Jones in painting the Arthurian murals at the Oxford Union, although his contributions were widely deemed inferior and unskilled compared to those of the others. [50] At Rossetti's recommendation, Morris and Burne-Jones moved in together to the flat at Bloomsbury's No. 17 Red Lion Square by November 1856. Morris ...
These "Bloomsbury assumptions" are reflected in members' criticisms of materialistic realism in painting and fiction, influenced above all by Clive Bell's "concept of 'Significant Form', which separated and elevated the concept of form above content in works of art": [31] it has been suggested that, with their "focus on form ...Bell's ideas ...
Surviving Roman paintings include wall paintings and frescoes, many from villas in Campania, in Southern Italy at sites such as Pompeii and Herculaneum. Such painting can be grouped into four main "styles" or periods [42] and may contain the first examples of trompe-l'œil, pseudo-perspective, and pure landscape. [43]