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The axiom of extensionality, [1] [2] also called the axiom of extent, [3] [4] is an axiom used in many forms of axiomatic set theory, such as Zermelo–Fraenkel set theory. [5] [6] The axiom defines what a set is. [1] Informally, the axiom means that the two sets A and B are equal if and only if A and B have the same members.
The fundamental concept of musical set theory is the (musical) set, which is an unordered collection of pitch classes. [4] More exactly, a pitch-class set is a numerical representation consisting of distinct integers (i.e., without duplicates). [5]
In set theory, the axiom of extensionality states that two sets are equal if and only if they contain the same elements. In mathematics formalized in set theory, it is common to identify relations—and, most importantly, functions —with their extension as stated above, so that it is impossible for two relations or functions with the same ...
In music theory, the spiral array model is an extended type of pitch space. A mathematical model involving concentric helices (an "array of spirals"), it represents human perceptions of pitches, chords, and keys in the same geometric space. It was proposed in 2000 by Elaine Chew in her MIT doctoral thesis Toward a Mathematical Model of Tonality ...
This is a list of set classes, by Forte number. [1] In music theory, a set class (an abbreviation of pitch-class-set class) is an ascending collection of pitch classes, transposed to begin at zero. For a list of ordered collections, see this list of tone rows and series. Sets are listed with links to their complements.
Pitch class set theory, however, has adhered to formal definitions of equivalence." [ 1 ] Traditionally, octave equivalency is assumed, while inversional , permutational , and transpositional equivalency may or may not be considered ( sequences and modulations are techniques of the common practice period which are based on transpositional ...
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Euler's Tonnetz. The Tonnetz originally appeared in Leonhard Euler's 1739 Tentamen novae theoriae musicae ex certissismis harmoniae principiis dilucide expositae.Euler's Tonnetz, pictured at left, shows the triadic relationships of the perfect fifth and the major third: at the top of the image is the note F, and to the left underneath is C (a perfect fifth above F), and to the right is A (a ...