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Mirror Mirror included appearances by 10cc's longtime collaborators Rick Fenn on one track and Andrew Gold on two tracks, touring members Steve Pigott and Gary Wallis on one track, and notable guest performances by Paul McCartney on two tracks: "Yvonne's the One" co-written by McCartney and Stewart in February 1985 during the sessions for Paul's Press to Play album, but remade and completed on ...
Notable appearances on the album include Andrew Gold, who had collaborated with 10cc and Gouldman in the past, and the blues pianist Dr. John. The album's closing song, "Don't Break the Promises", was co-written by Stewart and Paul McCartney during the sessions for McCartney's sixth solo studio album Press to Play (1986) and was later finished ...
The discography of American rock band Tool consists of five studio albums, one box set, two extended plays, four video albums, sixteen singles and eight music videos.. Tool was founded in 1990 by vocalist Maynard James Keenan and guitarist Adam Jones, [1] who then recruited drummer Danny Carey and bassist Paul D'Amour.
Opiate is an EP by the American rock band Tool. It was produced and engineered by Sylvia Massy and Steve Hansgen. Released in 1992, it was the result of two years of the band playing together after their formation in 1990. Opiate preceded Tool's first full-length release, Undertow, by a year.
10cc is the debut album by the British rock band 10cc, first released in 1973. It was recorded at Strawberry Studios in Stockport, which was part-owned by guitarist and engineer Eric Stewart, and released on Jonathan King's UK Records label. The album reached number 36 in the UK Albums Chart.
Bloody Tourists is the sixth studio album by the English rock band 10cc, released worldwide by Mercury Records and in North America by Polydor Records in September 1978. Recorded at Strawberry Studios South in Dorking , the album was produced by Eric Stewart and Graham Gouldman .
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The Original Soundtrack was a critical and commercial success reaching No. 3 in the UK [5] and No. 15 in the US [6]. Ken Barnes gave the album a rave review in Rolling Stone, commenting, "Musically there's more going on than in ten Yes albums, yet it's generally as accessible as a straight pop band (though less so than the two preceding 10cc LPs)."