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Miming in instrumental performance or finger-synching is the act of musicians pretending to play their instruments in a live show, audiovisual recording or broadcast. Miming in instrument playing is the musical instrument equivalent of lip-syncing in singing performances, the action of pretending to sing while a prerecorded track of the singing is sounding over a PA system or on a TV broadcast ...
According to The Strad, a leading Classical music magazine, "faking" occurs in all types of orchestras.. In instrumental music, "faking" is the process by which a musician gives the "...impression of playing every note as written" in the printed music part, typically for a very challenging passage that is very high in pitch and/or very rapid, while not actually playing all of the notes in the ...
A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
Mazurek_Dąbrowskiego_(official_instrumental).oga (Ogg Vorbis sound file, length 46 s, 76 kbps, file size: 428 KB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
"YYZ" was the first of six Rush songs (over three decades) to be nominated for a Grammy in the category of Best Rock Instrumental Performance. [citation needed] The song was a live performance staple, having been played on every one of the band's concert tours since its release, except the Roll the Bones Tour.
Miming in pop music may refer to: Lip-syncing , matching lip movements with sung or spoken vocals Miming in instrumental performance , pretending to play an instrument during a pop concert
Lip sync is considered a form of miming.It can be used to make it appear as though actors have substantial singing ability (e.g., The Partridge Family television show), to simulate a vocal effect that can be achieved only in the recording studio (e.g., Cher's Believe, which used an Auto-Tune effects processing on her voice); to improve performance during choreographed live dance numbers that ...
[14] Riverfront Times felt that Sandman's "cast-offs" and side projects were better than many other performers' best material, and that his "inviting, clear, honest singing, and the slightly rough-hewn joie de vivre in the instrumental performances" were the album's "unifying qualities."