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Donald Myrick [1] (April 6, 1940 – July 30, 1993) [2] was an American saxophonist.A member of the Phenix Horns, he was best known for his work with Earth, Wind & Fire and Phil Collins.
The Earth, Wind & Fire Horns' trio performed on Whitney Houston's 1990 album I'm Your Baby Tonight. [5] They went on to play on MC Hammer's 1991 Too Legit to Quit. [6] The horn section also performed on jazz guitarist Norman Brown's 1992 album Just Between Us, [7] saxophonist Kirk Whalum's 1993 album Caché', [8] and Salif Keita's 1993 Amen. [9]
The Phenix Horns, [1] originally known as the EWF Horns, were the main horn section for the band Earth, Wind & Fire. The horn section was composed of Don Myrick on saxophone , Louis "Lui Lui" Satterfield on trombone , Rahmlee Michael Davis on trumpet , Michael Harris on trumpet and Harry Kim on trumpet.
Earth, Wind & Fire is an American multi-genre band, founded by Maurice White (vocals, drums, percussion) in 1969. The band's original lineup included Maurice, his brother Verdine White (bass), guitarist Michael Beal, pianists and vocalists Wade Flemons and Don Whitehead, percussionist Yackov Ben Israel, vocalist Sherry Scott, trumpeter Leslie Drayton, trombonist Alexander Thomas and ...
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President Donald Trump's sweeping assertions of executive power during his first weeks back in office appear headed toward U.S. Supreme Court showdowns, but it remains an open question whether or ...
In 1996, he was asked by Collins to organize a big band featuring adaptations of his music and the music of Genesis in a jazz setting. The Phil Collins Big Band was born. As music director and arranger, Kim and The Vine Street Horns took center stage performing at all the major European jazz festivals, with Tony Bennett as vocalist and Quincy ...
However, playing a 3rd space C (F-horn, open) and repeating the stopped horn, the pitch will lower a half-step to a B-natural (or 1/2 step above B ♭, the next lower partial). The hand horn technique developed in the classical period, with music pieces requiring the use of covering the bell to various degrees to lower the pitch accordingly.