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Given this diversity, it is difficult to generalize the vast folklore of India as a unit. [citation needed] Although India is a Hindu-majority country, with more than three-fourths of the population identifying themselves as Hindus, there is no single, unified, and all-pervading concept of identity present in it. Various heterogeneous ...
The following is a list of folktales of the state of Chhattisgarh first published by author Theophil H. Twente in 1938: [1] The Frog and the Lizard [2] The Two Who Were Brothers Indeed [3] How the Gond Saved His Field of Gram [4] Bhimsen and Fever [5] The King Who Learned From a Cock [6] The Wicked Mother-In-Law [7] How a Wedding Song Saved ...
The author collected these stories from the common native people of Assam and then prepared this book. The names he mentioned in the preface of the book who contributed the folklores (but without explicitly mentioning who contributed which one) were Bhramarendra Saikia, Mahi Chandra Bora, Sitanath Sharma, Sarveshwar Sharma Kotoky, Rudrakanta Goswami, Wajed Ali, Naranath Sharma, Rusheswar ...
According to Stith Thompson' and Jonas Balys's index of Indian tales, the tale type ATU 707 shows 44 variants across Indian sources. [3] Researcher Noriko Mayeda and Indologist W. Norman Brown divided Indian variants of type 707 in five groups: (1) quest for wonderful items; (2) reincarnation into flowers; (3) use of wooden horses; (4) children sing a song; (5) miscellaneous.
Meitei folklore (Manipuri folklore), Meitei literature ( Manipuri literature ) The ancient legend of Khamba and Thoibi ( Meitei : Khamba Thoibi ) is a classic , [ 1 ] as well as one of the epic cycles of incarnations of Meitei mythology and folklore , that is originated from Ancient Moirang kingdom [ a ] of Ancient Kangleipak (early Manipur ...
Mirza and Sahiban under the tree. Mirza Sahiban [a] (Punjabi: [mɪɾzaː saːɦɪbãː]) is a traditional Punjabi tragedy originally written by the 17th-century poet Pilu.Set in a village in Jhang, the tragedy follows the romance between two youths, belonging to chieftain families of their respective clans, their elopement and eventual demise.
The Dhola Maru story is deeply rooted in folklore and oral traditions. [3] The story related work is available in prose and poetry as well as in mixed form also. 'Dhola Maru ri chaupai' a book composed by Jain monk Kushallabh in 1617, in which he writes that the story is old one. Some manuscripts of 1473 also describe the story.
When she waves the fan, the prince appears before her and proposes to her. Jealous of her happiness, the two sisters grind glass into powder and sprinkle it on Sabour's bed in their sister's chambers. Sabour and the third daughter marry, but their happiness is short-lived as the prince lies on the bed and the glass injures him.