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"How I Got Over" is a Gospel hymn composed and published in 1951 by Clara Ward (1924–1973). Ward's original release sold 1 million copies [ 1 ] and is one of the best-selling gospel songs of all time .
White was a collector of jazz artifacts and local history for 30 years. He owned the original sheet music of "Dead Man Blues" by Jelly Roll Morton, a clarinet mouthpiece by Sidney Bechet, and an estimated 5,000 records and LPs which were lost during the flooding. [9]
The same goes for her idiosyncratic use of metaphors and themes in her gospel songs: baseball ("The Ball Game"), boxing ("15 Rounds For Jesus") and a popular TV show ("Dragnet For Jesus"). This penchant for novelty -like songs also shows in Carr's later R&B repertoire, for instance "Ding Dong Daddy", "Nursery Rhyme Rock" and "Boppity Bop ...
It was recorded by Brewster's own group, the Brewster Singers, and by many other gospel performers including Edna Gallmon Cooke, Clara Ward, Sister Rosetta Tharpe, and The Staple Singers. Later recordings were made by Aretha Franklin, Dionne Warwick, and Sweet Honey in the Rock. Some of the recordings credit the writing of the song to Adeline ...
An example of a clarinet–viola–piano trio existed several hundred years before the clarinet–violin–piano trio; Mozart composed the Kegelstatt Trio in the 18th century, and the Romantic composer Max Bruch composed a suite of eight pieces for this combination, as well as a double concerto for viola, clarinet, and orchestra. Many of these ...
Songs should only have an individual article when there is enough material to warrant a detailed article. For redirects of cover songs to the article about the original song, use {{R from cover song}} instead. For redirects of remixes to the article about the original song, use {{R from remix}} instead.
The Statesmen Quartet (also known as Hovie Lister and The Statesmen Quartet) were an American southern gospel quartet founded in 1948 by Baptist Minister Hovie Lister.Along with the Blackwood Brothers, the Statesmen Quartet were considered the most successful and influential gospel quartet of the 1950s and 1960s and had a wide influence on artists during that time from the gospel, country, pop ...
The term soprano also applies to the clarinets in A and C, and even the low G clarinet—rare in Western music but popular in the folk music of Turkey—which sounds a whole tone lower than the A. Some writers reserve a separate category of sopranino clarinets for the E ♭ and D clarinets, [ 1 ] while some regarded them as soprano clarinets.