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Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child.
William Blake drew and painted illustrations for John Milton's nativity ode On the Morning of Christ's Nativity between 1803 and 1815. A total of 16 illustrations are extant: two sets of six watercolours each, and an additional four drawings in pencil. The dating of the sets is unknown, as is Blake's intended sequence for the illustrations.
The majority of early Christian art depicts The Holy Spirit in an anthropomorphic form as a human with two other Identical human figures representing God the Father and Jesus Christ. They either sit or they stand grouped together. This is used to portray the unity of the Most Holy Trinity. [7] [8]
William Blake illustrated Paradise Lost more often than any other work by John Milton, and illustrated Milton's work more often than that of any other writer.The illustrations demonstrate his critical engagement with the text, specifically his efforts to redeem the "errors" he perceived in his predecessor's work.
Man drawing from a cast: About 1641 B359: 1: Sick woman with a large white headdress [Saskia] About 1641-42 B369: 1: Sheet of studies, with a woman lying ill in bed, etc. About 1641-42 B072: 2: The raising of Lazarus: the small plate: 1642 B082: 1: The descent from the cross: a sketch: 1642 B105: 2: St. Jerome in a dark chamber: 1642 B188: 4 ...
Man Proposes, God Disposes. Edwin Landseer's 1864 painting Man Proposes, God Disposes is believed to be haunted, and a bad omen. [6] According to urban myth, a student of Royal Holloway college once committed suicide during exams by stabbing a pencil into their eye, writing "The polar bears made me do it" on their exam paper. [7]
Yūrei-zu (幽霊図) are a genre of Japanese art consisting of painted or woodblock print images of ghosts, demons and other supernatural beings. They are considered to be a subgenre of fūzokuga, "pictures of manners and customs." [1] These types of art works reached the peak of their popularity in Japan in the mid- to late 19th century. [2]
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