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"The X-ray emission of the radio galaxy is 1.3 × 10 45 joules." When a number such as 10 45 needs to be referred to in words, it is simply read out as "ten to the forty-fifth" or "ten to the forty-five". This is easier to say and less ambiguous than "quattuordecillion", which means something different in the long scale and the short scale.
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
1/52! chance of a specific shuffle Mathematics: The chances of shuffling a standard 52-card deck in any specific order is around 1.24 × 10 −68 (or exactly 1 ⁄ 52!) [4] Computing: The number 1.4 × 10 −45 is approximately equal to the smallest positive non-zero value that can be represented by a single-precision IEEE floating-point value.
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
Chris Reynolds, 56, of Media, Pa., opened an email from PayPal on Friday to see the staggering sum of $92,233,720,368,547,800 -- a figure more than 1.26 million times the fortune of the world's ...
Thirteenth chords are theoretically eleventh chords with the 13th (or sixth) added. In other words, theoretically they are formed by all the seven notes of a diatonic scale at once. Again, it is common to leave certain notes out. After the fifth, the most commonly omitted note is the 11th (fourth). The ninth (second) may also be omitted.
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.