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Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
The Memphis blues is a style of blues music created from the 1910s to the 1930s by musicians in the Memphis area, such as Frank Stokes, Sleepy John Estes, Furry Lewis and Memphis Minnie. The style was popular in vaudeville and medicine shows and was associated with Beale Street , the main entertainment area in Memphis.
Chicago blues is a form of blues music that developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues , but is performed in an urban style . It developed alongside the Great Migration of African Americans of the first half of the twentieth century.
Hokum is a particular song type of American blues music—a song which uses extended analogies or euphemistic terms to make humorous, [1] sexual innuendos. This trope goes back to early dirty blues recordings, enjoyed huge commercial success in the 1920s and 1930s, [1] and is used from time to time in modern American blues and blues rock.
Gospel, blues and jazz were also diversifying during this period, with new subgenres evolving in different cities like Memphis, New York, New Orleans and Chicago. Jazz quickly replaced the blues as American popular music, in the form of big band swing, a kind of dance music from the early 1930s. Swing used large ensembles, and was not generally ...
In the 1930s, Kansas City Jazz as exemplified by tenor saxophonist Lester Young marked the transition from big bands to the bebop influence of the 1940s. An early 1940s style known as "jumping the blues" or jump blues used small combos, uptempo music and blues chord progressions, drawing on boogie-woogie from the 1930s.
Late 1930s music trends The radio industry matures, beginning to more successfully focus on increasing market share rather than "abstract cultural good", diminishing the "demand for fine-art music and correspondingly (increasing) the demand for popular music". [59] Big band swing music makes jazz a part of mainstream American pop. The ...
The state's R&B recording industry was based in Houston with labels such as Duke/Peacock, which in the 1950s provided a base for artists who would later pursue the electric Texas blues sound, including Johnny Copeland and Albert Collins. [1] Freddie King, a major influence on electric blues, was born in Texas, but moved to Chicago as a teenager ...