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The lèbes gamikòs or "nuptial lebes" (pl.: lèbetes gamikòi) is a form of ancient Greek pottery used in marriage ceremonies (literally, it means marriage vase). [1] [2] It was probably used in the ritual sprinkling of the bride with water before the wedding. In form, it has a large bowl-like body and a stand that can be long or short.
The ancient Greek marriage celebration consisted of a three part ceremony which lasted three days: the proaulia, which was the pre-wedding ceremony, the gamos, which was the actual wedding, and the epaulia, which was the post-wedding ceremony. Most of the wedding was focused on the experience of the bride. [1]
Women, as represented by Calonice, are sly hedonists in need of firm guidance and direction. In contrast, Lysistrata is portrayed to be an extraordinary woman with a large sense of individual and social responsibility. She has convened a meeting of women from various Greek city-states that are at war with each other. Soon after she confides in ...
The wedding ceremony was formalised by the bride moving into her husband's house as well as by the bride's father giving a dowry to the groom. [11] [9] Marriage ceremonies in Sparta differed greatly from the rest of the Greek city-states. Unlike in the rest of Greece, Spartan women had to consent for the marriage to be valid and not just her ...
In Greek mythology, Hymen (Ancient Greek: Ὑμήν, romanized: Humḗn), Hymenaios or Hymenaeus, is a god of marriage ceremonies who inspires feasts and song. Related to the god's name, a hymenaios is a genre of Greek lyric poetry that was sung during the procession of the bride to the groom's house in which the god is addressed, in contrast ...
A peplos (Greek: ὁ πέπλος) is a body-length garment established as typical attire for women in ancient Greece by c. 500 BC, during the late Archaic and Classical period. It was a long, rectangular cloth with the top edge folded down about halfway, so that what was the top of the rectangle was now draped below the waist, and the bottom ...
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