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"See You Later, Alligator" is a 1950s rock and roll song written and first recorded by American singer-songwriter Bobby Charles. The song was a Top Ten hit for Bill Haley and His Comets in 1956 in the United States, reaching no. 6 on Billboard and CashBox .
"See You Later, Alligator" (1956) "Rock-A-Beatin' Boogie" is a 1952 song composed by Bill Haley and first recorded by the Esquire Boys in 1952. Bill Haley and the ...
In September 2007, the Louisiana Music Hall of Fame honored Charles for his contributions to Louisiana music with an induction.. In 2005 the Museum of the Gulf Coast in Port Arthur, Texas, inducted Charles into their Music Hall of Fame, which includes over eighty artists from the Gulf Coast region, including Janis Joplin, George Jones, Tex Ritter, ZZ Top, and others.
Later on in 1957, Haley became the first major American rock singer to tour Europe. Haley continued to score hits throughout the 1950s such as "See You Later, Alligator" and he starred in the first rock and roll musical films Rock Around the Clock and Don't Knock the Rock, both in 1956.
First recorded in 1928 by Jefferson, famously included in the Anthology of American Folk Music, and first recorded by Dylan in 1962 for his eponymous debut album. On the officially released box set, it was titled "One Kind Favor". "See You Later Allen Ginsberg" Dylan: Variation on "See You Later, Alligator".
Even more sobering for Drake: She later sued him for using her message without consent, seeking royalties and co-writing credit. “good kid, m.A.A.d. city ” by Kendrick Lamar (2012)
This was as part of a concert at the Sidney Myer Music Bowl in Kings Domain, Melbourne, part of the Moomba Festival. She performed "My Boy Lollipop", "What Am I Living For", and "See You Later, Alligator". [13] She recorded several duets with Jackie Edwards in 1965, as well as solo material, but sales were disappointing.
Rockin' the Joint is a compilation album of rock and roll music by Bill Haley & His Comets.Released on Decca Records in August 1958, it was the group's seventh album. The album consisted of recordings that, for the most part, had only been released previously as singles or on EPs; all of the recordings were produced by Milt Gabler.