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The imaginary (or social imaginary) is the set of values, institutions, laws, and symbols through which people imagine their social whole. It is common to the members of a particular social group and the corresponding society. The concept of the imaginary has attracted attention in anthropology, sociology, psychoanalysis, philosophy, and media ...
The sociological imagination—the capacity to comprehend the wider social structures and processes that shape individual experiences—has emerged as a potent factor in influencing social media. [17] Social media platforms provide a huge arena for people to communicate, express their thoughts, and organize for social change.
According to Mills, social scientists must study social structure, using the sociological imagination, to understand the state of freedom in this epoch. Mills concludes this section of The Sociological Imagination with a call to social scientists: it is the promise of the social sciences to analyze the individual's troubles and society's issues ...
Cornelius Castoriadis [a] (Greek: Κορνήλιος Καστοριάδης; [b] 11 March 1922 – 26 December 1997) was a Greek-French [84] philosopher, social critic, economist, psychoanalyst, author of The Imaginary Institution of Society, and co-founder of the Socialisme ou Barbarie group.
An imagined community is a concept developed by Benedict Anderson in his 1983 book Imagined Communities to analyze nationalism.Anderson depicts a nation as a socially-constructed community, imagined by the people who perceive themselves as part of a group.
The Imaginary (psychoanalysis) – Term in Lacanian Psychoanalysis; Imaginary (sociology) – Set of values, institutions, laws, and symbols through which people imagine their social whole; Imagination Age – Proposed era of humanity after the Information Age; Imagination inflation – Type of memory distortion
A data imaginary is a particular framing of data that defines what data are and what can be done with them. [1] Imaginaries are produced by social institutions and practices and they influence how people understand and use the object of the imaginary, in this case data. [2] Different data imaginaries compete to be considered common sense.
The Imaginary (2023), directed by Yoshiyuki Momose and produced by Studio Ponoc; The Imaginary (1940), by Jean-Paul Sartre "The Imaginary" (short story) (1942), by Isaac Asimov; The Imaginary (psychoanalysis), contrasted with The Real and The Symbolic by Jacques Lacan; The social imaginary, a concept in sociology