Search results
Results from the WOW.Com Content Network
Relief fragment of Mara in Gandhara style, found in Swat Valley The demons of mara. Palm leaf manuscript. Nalanda, Bihar, India Mara's assault on the Buddha (an aniconic representation: the Buddha is only symbolized by his throne), 2nd century, Amaravati Stupa, India Mara, his lustful daughters, and demonic army, attempting to tempt Buddha, on a 10th-century icon from Mogao Caves
The Buddha's sangha continued to grow during his initial travels in north India. The early texts tell the story of how the Buddha's chief disciples, Sāriputta and Mahāmoggallāna, who were both students of the skeptic sramana Sañjaya Belaṭṭhiputta, were converted by Assaji.
According to some versions of the story, the Buddha intercepts King Virudhaka once and convinces him to turn back, but the king later changes his mind and continues the invasion. [65] [66] In other versions of the story, the Buddha intercepts King Virudhaka two times, and in some versions three times before ceasing to intervene in the next attempt.
Thoranee called tonnes of water and flooded away the maras. The episode results in the name Mara Vichai which means the "Victory (vichai) over the Mara". The Māravijaya seated Buddha is considered the common attitude for principal Buddha in ubosots of Khmer, Lao and Thai wats and Burmese kyaungs. [citation needed] A Dakkhiṇasākhā statue of ...
The Jataka tales are a voluminous body of literature concerning the stories of previous births of Gautama Buddha. Following is the list of Jataka tales mentioned in Buddhist literature or mythology. The tales are dated between 300 BC and 400 AD. Thangka of Buddha with the One Hundred Jataka Tales in the background, Tibet, 13th-14th century.
MĀRA: A Chamber Opera on Good and Evil is an American chamber opera in two acts composed by Sherry Woods to a libretto by Stephen Batchelor. [1] The opera humanizes the story of Siddhattha Gotama (the Buddha) and his encounters with Māra, Taṇhā (Māra's daughter), and the demonic figures that appear to him as he seeks a way to live an awakened life in the world.
In these depictions, he is shown wearing exclusive Western attire and always in the presence of other deities. The reliefs in this art form depict Vajrapani always present in the scenes where Buddha is converting people; his presence is shown when the Buddha confronts the opponents of the dharma like Mara before his enlightenment. Scenes of ...
For the current Buddha, Gautama, his chief male disciples were Sariputta and Moggallana, while his chief female disciples were Khema and Uppalavanna. [ 4 ] According to the Pali Canon , in a previous life Uppalavanna was born a woman in the time of Padumattara Buddha and witnessed him declare one of his nuns foremost in psychic powers .