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In literary criticism and rhetoric, a tautology is a statement that repeats an idea using near-synonymous morphemes, words or phrases, effectively "saying the same thing twice". [1] [2] Tautology and pleonasm are not consistently differentiated in literature. [3] Like pleonasm, tautology is often considered a fault of style when unintentional.
In some languages, such as French, the word is not optional and should therefore not be considered pleonastic. The same phenomenon occurs in Spanish with subject pronouns. Since Spanish is a null-subject language, which allows subject pronouns to be deleted when understood, the following sentences mean the same: " Yo te amo. "
Lodgings to Let, an 1814 engraving featuring a double entendre. He: "My sweet honey, I hope you are to be let with the Lodgins!" She: "No, sir, I am to be let alone".. A double entendre [note 1] (plural double entendres) is a figure of speech or a particular way of wording that is devised to have a double meaning, one of which is typically obvious, and the other often conveys a message that ...
4. ‘Wonderwall’ by Oasis (1995) Maybe we're old-fashioned, but we've always believed that if a song becomes a big radio hit played ad infinitum, it would be nice if the singer could sing.
"Never Be the Same" is the title of the third single by singer-songwriter Christopher Cross, released from his debut Grammy Award-winning album Christopher Cross. It was the singer's third consecutive single to reach the Top 40 on the Billboard Hot 100 chart, where it peaked at No. 15 in 1980. [ 3 ]
According to Setlist.FM, he performed “FE!N” a total of 12 times in a row, including once with rapper Sheck Wes, who performed an unreleased verse that did not appear on the final version of ...
Workshy is an English band formed in London in 1986 by Michael McDermott, Chrysta Jones and Kevin Kehoe (who left in 1992). They are perhaps best known for their songs “Never The Same” and “You’re The Summer” as well as covers of the Bacharach/David song “I Say A Little Prayer”, “If I Ever Lose This Heaven” and Carole King’s "It's Too Late".
The same tempo, despite changes of time signature, see metric modulation lo stesso The same; applied to the manner of articulation, tempo, etc. loco [in] place, i.e. perform the notes at the pitch written, generally used to cancel an 8va or 8vb direction; in string music, also used to indicate return to normal playing position (see Playing the ...