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The traditional audience base for webcomics and print comics are vastly different, and webcomic readers do not necessarily go to bookstores. For some webcartoonists, a print release may be considered the "goal" of a webcomic series, while for others, comic books are "just another way to get the content out." [3]
A navigational box that can be placed at the bottom of articles. Template parameters [Edit template data] Parameter Description Type Status State state The initial visibility of the navbox Suggested values collapsed expanded autocollapse String suggested Template transclusions Transclusion maintenance Check completeness of transclusions The above documentation is transcluded from Template ...
[[Category:Webcomic templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Webcomic templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
Webcomics in print, or as they are often called by the authors: "dead tree format". This category also includes webcomics that were once in print. Editors: Any comics added to this category should also be added to the list of webcomics in print, including reliable sources.
Templates relating to webcomics. This is intended for "inline" templates that are clearly related to only or primarily to webcomics but without falling into a "specific use" category". When in question, the templates should be left in the Comics inline templates parent category.
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List of early webcomics; 1995 to 1999 in webcomics; 2000 in webcomics; 2001 in webcomics; 2002 in webcomics; 2003 in webcomics; 2004 in webcomics; 2005 in webcomics
Aaron William's Nodwick and PS238 debuted in print before moving online in 2001 and 2006, respectively. Phil and Kaja Foglio moved their long-running comic book series Girl Genius to a webcomic format in 2005. Stuart and Kathryn Immonen co-authored Moving Pictures in the late 2000s. David Gallaher and Steve Ellis created High Moon for Zuda in 2007.