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"Just to See Her" is a 1987 song written by Jimmy George and Lou Pardini and recorded by American R&B recording artist Smokey Robinson from his studio album One Heartbeat (1987). "Just to See Her" peaked at No. 7 in Cash Box and No. 8 on the Billboard Hot 100 in July 1987.
The album contains Robinson's last two US Billboard top 10 singles: "Just to See Her" (which won Robinson a Grammy Award in the category of Best Male R&B Vocal performance) and "One Heartbeat". "What's Too Much" was released as the album's third and final single. The album was certified Gold by the RIAA. [1]
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Lou Pardini (born June 5, 1952) is an American Grammy-nominated keyboardist, songwriter and vocalist who is now best known as a former member of the rock band Chicago.He is known for his work with notable musicians such as Stevie Wonder, Santana, Elton John, Peabo Bryson, Earth, Wind, & Fire and The Doobie Brothers, and he has written hit songs for Patti Austin, Kenny G, The Temptations, and more.
Now it's her chance to return the favour. 'Promise me, just hold my hand', she sings, that missing connection finally complete." [36] Gaga sang "Hold My Hand" at the 95th Academy Awards on March 12, 2023. She appeared on stage without makeup, in a plain black t-shirt and ripped jeans, and began the performance by stating: "We need a lot of love ...
In 1963, Doris Troy scored her only hit on the U.S. Billboard Hot 100 chart with "Just One Look". The song spent 14 weeks on the Billboard Hot 100, peaking at No. 10, [7] while reaching No. 3 on Billboard ' s Hot R&B Singles chart, [8] No. 8 on New Zealand's "Lever Hit Parade", [9] and No. 1 on Canada's CHUM Hit Parade for 3 weeks. [10]
Bill Evans performing at the Montreux Jazz Festival in 1978. Mastering the various chord voicings—simple to advanced—is the first building block of learning jazz piano. Jazz piano technique uses all the chords found in Western art music, such as major, minor, augmented, diminished, seventh, diminished seventh, sixth, minor seventh, major seventh, suspended fourth, and so
Outro (28 mm.): choir ascending line, piano frolics, double time, handclapping In his retrospective review of the song, Richie Unterberger of AllMusic said: "If you buy John Lennon 's observation that the Rolling Stones were apt to copy the Beatles ' innovations within a few months or so, 'You Can't Always Get What You Want' is the Rolling ...
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