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Caribbean Currents: Caribbean Music from Rumba to Reggae. Philadelphia: Temple University Press. ISBN 1-56639-338-8. Manuel, Peter (2000). East Indian Music in the West Indies: Tan-singing, Chutney, and the Making of Indo-Caribbean Culture. Temple University Press, 2000. ISBN 1-56639-763-4. Scholtens, Ben (1994). Bosneger en overheid in Suriname.
The most well-known is the Indo-Trinidadian chutney music tradition. Chutney is a form of popular dance music that developed in the mid-to late 20th century. Baithak Gana is a similar popular form originating in Suriname. Modern Indian film music, filmi, is also renowned among Indo-Caribbean people.
Caribbean Currents: Caribbean Music from Rumba to Reggae (2nd edition). Temple University Press, 2006. ISBN 1-59213-463-7. {}: CS1 maint: multiple names: authors list ; Manuel, Peter (2000). East Indian Music in the West Indies: Tan-singing, Chutney, and the Making of Indo-Caribbean Culture. Temple University Press, 2000.
The dhantal (also called the dhandataal) is of Indian origin, but most commonly found in the Caribbean. The instrument was invented in the Caribbean by indentured laborers from India. The instrument's name literally means "stick percussion" from danda, "stick," and taal, the act of striking rhythmically. [3]
This was a breakthrough for East Indian Caribbean music, but the fame was short lived. Chutney music exploded again in 1968 with the female singer Dropati, who released an album entitled Let's Sing & Dance, made up of traditional wedding songs. These songs became huge hits within the Indo-Caribbean community.
In Trinidad and Tobago, Guyana, and Suriname, chutney soca music is a crossover style of music incorporating soca and calypso elements and English, Hindustani, and Hinglish lyrics, chutney music, with Western instruments such as the guitar, piano, drum set, and Indian instruments such as the dholak, harmonium, tabla, and dhantal.
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The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements.