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The song is sung from the perspective of a man who has, temporarily, survived a mid-air collision.In his dying words, he describes in graphic detail what he remembered of the collision and his current condition: his arms have been severed, his co-pilot is already lifeless beside him, blood is rapidly leaving his body and pooling underneath him, and a paramedic indicates that no medical ...
Bloodrock was an American hard rock band based in Fort Worth, Texas, that had success in the 1970s. [1] The band emerged from the Fort Worth club and music scene during the early to mid-1970s. History
Bloodrock 2 is the second album by the Texas rock band Bloodrock. [3] It was released on Capitol Records in October 1970 and produced by Terry Knight. The album was certified Gold by the RIAA in 1990. [4] In early 1971, the gory extended track "D.O.A." became the biggest hit of Bloodrock's career when it was issued in shorter form as a single. [4]
An early version of the song, listed as a demo, was released on the CD1 version of the "Resolve" single and Five Songs and a Cover.A version recorded on August 23, 2005 at Maida Vale Studios in London for the BBC Radio 1 was released on the Radio 1's Live Lounge compilation.
All music and lyrics by David DeFeis No. Title Length; 1. "Lucifer's Hammer" 5:41: 2. "Queen of the Dead" ... "D.O.A." (Bloodrock cover) 7:49: 3. "The Witch in the ...
The song was released as a digital download on June 23, 2009, and as the first single from Jay-Z's 11th studio album, The Blueprint 3. The song made its world premiere on the New York radio station Hot 97 on June 5. [1] Its lyrics address the overusage of Auto-Tune in the music industry.
In the early 1970s, Nitzinger helped pen songs on five albums for the Fort Worth band Bloodrock. [ 2 ] [ 3 ] When Bloodrock 2 went Gold, Nitzinger signed a contract with Capitol Records and his first album, the self-titled Nitzinger , was released in early 1972.
Bloodrock is the debut album by the Fort Worth, Texas, hard rock band Bloodrock, released on March 16, 1970, by Capitol Records. The cover art was designed by producer Terry Knight. AllMusic described the album in terms of hard rock and early "proto-metal", akin to Deep Purple. The group's similarities to Grand Funk Railroad in overall sound ...