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In the late eighteenth century, literary elegies were a common genre; Thomas Gray's Elegy Written in a Country Churchyard and Edward Young's Night Thoughts are typical members of the genre. In the European devotional literature of the Renaissance, the Ars Moriendi, memento mori had moral value by reminding individuals of their mortality. [19]
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
The serpent in the skull is always making its way through the socket that was the eye: knowledge persists beyond death, the emblem says, and the serpent has the secret. The late medieval and Early Renaissance Northern and Italian painters place the skull where it lies at the foot of the Cross at Golgotha (Aramaic for the place of the skull).
Garlanded bucrania on a frieze from the Samothrace temple complex Bucranium on the frieze of the Temple of Vespasian and Titus in Rome.. Bucranium (pl. bucrania; from Latin būcrānium, from Ancient Greek βουκράνιον (boukránion) 'ox's head', referring to the skull of an ox) was a form of carved decoration commonly used in Classical architecture.
The dominant art forms of the English Renaissance were literature and music, which had a rich flowering. [93] Visual arts in the English Renaissance were much less significant than in the Italian Renaissance. The English Renaissance period in art began far later than the Italian, which had moved into Mannerism by the 1530s. [94]
The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th. This new figurative language was linked to a new way of thinking about humankind and the world around it, based on the local culture and humanism already highlighted ...
Vanitas art is an allegorical art representing a higher ideal or containing hidden meanings. [5] Vanitas are very formulaic and they use literary and traditional symbols to convey mortality. Vanitas often have a message that is rooted in religion or the Christian Bible. [6] In the 17th century, the vanitas genre was popular among Dutch painters.
Death and the Maiden (Der Tod und das Mädchen in German) was a common motif in Renaissance art, especially in German painting and printmaking. The usual form shows just two figures, with a young woman being seized by a personification of Death, often shown as a skeleton. Variants may include other figures.