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Morning music; 2. Dancing in place; 3. Northern Nigun; 4. Lenny in spats; 5. Tempo di gavotte; 6. Barcarolle; 7. Fuga malinconica; 8. Tarantella; 9. Even music) Suite No. 3, for solo violin (2018) -commissioned by the "International Violin Competition of Indianapolis"- (in 7 movements) Csiky Boldizsár. Passacaglia (Thema with Variations) for ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Andrés Segovia was famous for his playing arrangements of Bach works transcribed for classical guitar, such as his very difficult Chaconne from the Violin Partita in D minor. Arnold Schoenberg arranged for orchestra Bach's organ Prelude and Fugue in E-flat major St Anne, BWV 552.
Violin / Guitar: 123: Concerto [8] Violin / Orch. 124: Sonatina No.1 [2] Violin / Guitar: 125: Sonatina No.2 [2] Violin / Guitar: 126: Sonatina No.3 [2] Violin / Guitar "Cantabile a Minuetto e Valtz" 127: Sonatina No.4 [2] Violin / Guitar "Cantabile e Valtz" 128: Sonatina No.5 [2] Violin / Guitar "Cantabile e Valtz" 129: Sonatina No.6 [2 ...
The romantic guitar, in use from approximately 1790 to 1830, was the guitar of the Classical and Romantic period of music, showing remarkable consistency in the instrument's construction during these decades. By this time guitars used six, sometimes more, single strings instead of courses.
Violin Sonata in A minor, Op. 7 (published 1887) (Not mentioned in the list of works linked to in the article but recorded on Troubadisc [20] and noted in published articles- Dale's in Oct. 1949 Music & Letters.) Louis Spohr. Sonata for Violin and Harp in B-flat major, Op. 16; Sonata for Violin and Harp in E-flat major, Op. 113
Music prior to the classical era was often composed for performance on various combinations of instruments, and could be adapted by the performer to keyboard instruments, the lute, or the guitar. Since the beginning of the 20th century, however, a significant amount of music has been written for the guitar by non-guitarist composers.
The surviving autograph manuscript of the sonatas and partitas was made by Bach in 1720 in Köthen, where he was Kapellmeister.As Christoph Wolff comments, the paucity of sources for instrumental compositions prior to Bach's period in Leipzig makes it difficult to establish a precise chronology; nevertheless, a copy made by the Weimar organist Johann Gottfried Walther in 1714 of the Fugue in G ...
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