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A fan recently discovered that there appears to be a parallel between the new track, which appears on The Tortured Poets Department, and “Mary’s Song” from her 2006 debut self-titled album.
Taylor Swift had fans squealing during her Saturday, July 6, Eras Tour concert because she played “Mary’s Song (Oh My My)” live for the first time since 2008. On Saturday, Swift, 34 ...
In the solo section of her Eras Tour sets, Taylor Swift frequently combines songs from across her career to send subtle nods to fans. Her third night playing Amsterdam on Saturday, July 6 ...
Larry Flick from Billboard wrote that the song "demonstrates yet another formidable step forward in the career path of this fly girl gone sophisticate." He noted that Blige is "in good hands with this dreamy, '70s-based jazz/funk smash", and that she is "sounding as sharp as cut glass, with a smattering of scatting and just enough grit to define the artist's signature edge in this classy number."
While critical reaction toward its parent album My Life II...The Journey Continues (Act 1) was generally mixed, "25/8" was lauded by contemporary music critics. Kanya King, writing for CNN International, felt that "25/8" was "a track that meets all of the criteria of what Mary J. Blige is all about: It's soul meets hip hop with her rough vocals complementing the track.
"Mary, Did You Know?" is a Christmas song addressing Mary, mother of Jesus, with lyrics written by Mark Lowry in 1984, and music written by Buddy Greene in 1991. It was originally recorded by Christian recording artist Michael English on his self-titled debut solo album in 1991.
"The Bells of St. Mary's" is a 1917 popular song. The music was written by A. Emmett Adams, the lyrics [1] by Douglas Furber, following a visit to St. Mary's Church, Southampton, England. [2] It was published by the London company Ascherberg, Hopwood & Crew. The song was revived in 1945, in the film of the same name, by Bing Crosby and Ingrid ...
The assumption of Mary is praised in numerous songs from the 10th century, [13] In several songs, Mary is praised to be above all saints and angels and participates in the kingdom of her son. Her assumption is “wished by the faithful people” in a song from the 12th century. [14] The Marian songs and hymns in this epoch are too numerous to ...