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Recitative and aria for soprano and orchestra: Metastasio, Artaserse II,11: 1766, or Count Firmian's audition party, Milan, 12 March 1770 deest KV 9 646 "Cara, se le mie pene" (Score/Crit. report) Aria for soprano and orchestra: unknown: 1769 82: 73o "Se ardire, e speranza" (Score/Crit. report) Aria for soprano and orchestra: Metastasio ...
Operetta, based on Voltaire. The soprano aria "Glitter and Be Gay" is a parody of Romantic-era jewel songs. [226] 1957 Dialogues des Carmélites (Poulenc). Poulenc's major opera is set in a convent during the French Revolution. [227] 1958 Vanessa (Samuel Barber). Vanessa won its composer a Pulitzer Prize in 1958. [228] 1959 La voix humaine ...
Pages in category "Soprano arias" The following 34 pages are in this category, out of 34 total. This list may not reflect recent changes. A. Adele's Laughing Song;
This aria was composed in order to be inserted into Gluck's opera Alceste, and also specifically to showcase the superlative vocal skills of Mozart's sister-in-law, Aloysia Weber, who was only 18 at the time. Sopranos who are able to cope with the aria's demands have been few and far between, and the aria is usually omitted from performances of ...
Soprano opera singer Monica McGhee, 36, from south-east London, wrote the song after she was diagnosed with thyroid cancer. ... and I sang every single aria of every single role that was on my ...
"Non più. Tutto ascoltai...Non temer, amato bene", K. 490, is a concert aria by Wolfgang Amadeus Mozart for solo tenor and orchestra, composed in Vienna in 1786. Originally written for the tenor voice, the aria is mostly now performed by sopranos. [1] The text of this aria is taken from Mozart's 1781 opera Idomeneo, by Giambattista Varesco. The aria was published by Breitkopf & Härtel in ...
Written in B minor, it is one of the most famous opera arias.The vocal range extends from F ♯ 3 to A 4.The aria is considered part of the spinto tenor repertoire. [1]The aria is introduced by a somber clarinet solo.
" Un bel dì, vedremo" (Italian pronunciation: [um bɛl di veˈdreːmo]; "One fine day we'll see") is a soprano aria from the opera Madama Butterfly (1904) by Giacomo Puccini, set to a libretto by Luigi Illica and Giuseppe Giacosa. It is sung by Cio-Cio San (Butterfly) on stage with Suzuki, as she imagines the return of her absent love, Pinkerton.