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The harmonic minor scale (or Aeolian ♮7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [2] [3] [4] creating an augmented second between the sixth and seventh degrees.
A ring of twelve is sometimes augmented with a 5♯ and 6♭ to make a 10 note harmonic minor scale from bell 2 to bell 11 (for example, Worcester Cathedral). [4] The Hungarian minor scale is similar to the harmonic minor scale but with a raised 4th degree.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
The seventh scale degree is very often raised a half step to form a leading tone, making the dominant chord (V) a major chord (i.e. V major instead of v minor) and the subtonic chord (vii), a diminished chord (vii o, instead of ♭ VII). This version of minor scale is called the harmonic minor scale.
Phrygian dominant scale (Ahavah Rabbah written) In music, the Phrygian dominant scale (or the Phrygian ♮3 scale) is the actual fifth mode of the harmonic minor scale, the fifth being the dominant. [1] It is also called the harmonic dominant, altered Phrygian scale, dominant flat 2 flat 6 (in jazz), or Freygish scale (also spelled Fraigish [2]).
The A harmonic minor scale can be used on the chords of a piece in A minor, especially on the minor ii–V–i chord progression. One of the most common uses of the harmonic minor scale is its fifth mode (phrygian dominant scale), which is a frequently used over dominant chords.
The diatonic scale (seven notes)—this includes the major scale and the natural minor; The melodic and harmonic minor scales (seven notes) These scales are used in all of their transpositions. The music of this period introduces modulation, which involves systematic changes from one scale to another. Modulation occurs in relatively ...
Solo tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion) to fit a pattern where blow notes repeat a sequence of C E G C (perhaps shifted to begin with E or with G) and draw notes follow a repeating sequence of
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