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Aqua Trace is thematically linked to Arocha's mirrored plexiglass installation titled Hide, which was created as part of a site-specific installation program of the Museum of Contemporary Art, Chicago, curated by Julie Rodrigue, Arocha’s installation took shape within the museum’s four-tiered atrium. The artwork comprises 914 laser-cut ...
Works in this vein include City Gates (Battery Park, NYC, 1979) and Mirror Piece for Phyllis, a guerilla work Temkin installed on park backstops as part of a 1981 Washington Project for the Arts "Streetworks" show in D.C., which authorities forced her to remove. Merle Temkin, Couple, diptych; acrylic paint, dye, thread on canvas; 46" x 76", 2003
Oilstick and acrylic on wood 42 1/8 x 36 in $3.4 million (2018) [26] Private collection 1988 Eroica I: Acrylic and oilstick on paper mounted on canvas 90 7/8 x 88 3/4 in $5.9 million (2011) [165] Jose Mugrabi 1988 Self-portrait: Acrylic on canvas 47 3/4 x 37 3/4 in $12.5 million (2021) [166] Private collection 1988 Riding with Death
Dana Zámečníková's dominant artistic technique is cut flat and laid glass or plexiglass, [27] cold decorated with painting, [28] enamels, silkscreen, sandblasting or etching, [29] [30] which she combines in multi-layered spatial plans and installations.
A first-surface mirror or front-surface mirror (also commonly abbreviated FS mirror or FSM) is a mirror with the reflective surface being above a backing, as opposed to the conventional, second-surface mirror with the reflective surface behind a transparent substrate such as glass or acrylic.
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