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Sugarcane" video is Camidoh's most viewed video with over 2.1 million YouTube streams as of May 2022. The song was accomplished with a remix with Nigerian singer Mayorkun , and British rapper Darkoo , and feature's Ghanaian singer King Promise , released on 8 April 2022 by Grind Don't Stop Records, through Crux Global, and MOVES Recordings.
The music of Ghana often reflects a Caribbean influence, yet it still retains a flavour on its own. While pan-Ghanaian music had been developed for some time, the middle of the 20th century saw the development of distinctly Ghanaian pop music. High-life incorporated elements of swing, jazz, rock, ska and soukous.
In November 2020, Bisa Kdei's remix of his "Asew" song originally released in 2018 was used as a soundtrack in Netflix's 2020 Christmas movie, "Jingle Jangle" [8] [9] He was recruited and composed a music for the movie alongside Usher Raymond, John Legend, Phillip Lawrence, Davy Nathan and Michael Diskint.
Daddy Lumba's music career started at the age of 16. He was the leader of Juaben Senior High School choir from 1983 to 1984 academic year where Christabel was the music teacher and he completed in 1985. In Juaben SHS, Lumba formed the Lumba Brothers group with his friends Yaw and Kwabena and girlfriend, Theresa Abebrese.
Kokooko was the first major fusion of hiplife and highlife in Ghana. [1] Many successful albums followed thus earning him one of his many nicknames "Hitman"."Wo da enda","Ahoofe", and "Still I love you" are a few of his popular songs. Among youths and old, he is popular and beloved. Daasebre's songs are mostly mid tempo and include many hip hop ...
His song "Simigua-do" is considered the first Ghanaian version of previously introduced American rap in the world released in 1973. Ambolley, Sammy Lartey and Ebo Taylor are the few musicians who envisioned a future for high-life music in the late 60s and early 70s and helped transform the genre fusing high-life, funk and jazz [8] [9] music.
Highlife is a Ghanaian music genre that originated along the coastal cities of present-day Ghana in the 19th century, during its history as a colony of the British and through its trade routes in coastal areas.
The Fanti Osibisaaba music used together local percussion instruments together with guitars and the accordions of sailors of the Kru sailors of Liberia. The Fanti Osibisaaba pioneered Africanised cross-fingering guitar techniques which developed to be Ghanaian Highlife, Maringa of Sierra Leone , the Juju music of western Nigeria and "dry" music ...