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Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
Most design references are based on two outline sketches. The first, by Rudolph Ackermann in 1811, illustrates a Morgan & Sanders chair and the second shows a chair made by Gillows in 1834. The lack of detail in these sketches and the scarcity of research relating to mechanical furniture design of this period, have led to many inaccurate claims.
Folding chair, collapses in some way for easy storage and transport. Various folding chairs have their own names (e.g., deckchair, director's chair), but a chair described simply as a folding chair folds a rigid frame and seat around a transverse axis so that the seat becomes parallel to the back and the frame collapses with a scissors action.
The chair is shown facing in the same direction, once folded into a chair, and once folded into a set of steps, such that the top of the chair back touches the floor. A step chair , also called a ladder chair , a library chair , a convertible chair or a Franklin chair , is a piece of furniture which folds to become either a chair or a small set ...
Mid-Century Modern materials developed during the war including laminated plywood, plastics, and fiberglass. Prime examples include furniture designed by George Nelson Associates , Charles and Ray Eames , Paul McCobb , Florence Knoll , Harry Bertoia , Eero Saarinen , Harvey Probber , Vladimir Kagan and Danish modern designers including Finn ...
Origami (折り紙, Japanese pronunciation: or [oɾiꜜɡami], from ori meaning "folding", and kami meaning "paper" (kami changes to gami due to rendaku)) is the Japanese art of paper folding. In modern usage, the word "origami" is often used as an inclusive term for all folding practices, regardless of their culture of origin.
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