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The Garden of Love, Peter Paul Rubens, 1630-1631. The Garden of Love is a painting by Rubens, produced in around 1633 and now in the Prado Museum in Madrid. The work was first listed in 1666, when it was hung in the Royal Palace of Madrid, in the Spanish king's bedroom. [1] In early inventories, the painting was called The Garden Party. [2]
Heinrich Hofmann grew up in a family that harbored a deep interest in art. His father, advocate Heinrich Karl Hofmann (1795–1845) painted in watercolors, his mother Sophie Hofmann, née Volhard (1798–1854) gave lessons in art before she married, and his four brothers all showed artistic talent.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Nativity of Jesus in art; Adoration of the Magi (Three Kings), sometimes combined with the Adoration of the Shepherds; Circumcision of Christ; Presentation of Jesus; Flight to Egypt, or the Massacre of the Innocents. Later sometimes the Rest on the Flight into Egypt. Finding in the Temple, the last episode of Jesus's childhood in the Canonical ...
The work depicts the Christian iconographic subject of the Agony of Jesus in the Garden of Olives. In this painting, Jesus Christ is accompanied by three apostles: Peter, John and James the Greater. After praying three times to God on Mount Gethsemane, Jesus receives, from three angels, the chalice and the symbols of the Passion of Christ. In ...
But the censor did not allow these words to be included in the catalogue, but allowed 'Christ and the woman caught in adultery', because that was the name of other paintings, and then in the museum it was called 'The Prodigal Woman', which was completely contrary to the Gospel story, which clearly says that it is a woman who has sinned.
Over a hilly background with a lake and a fortified city, is the scene of the Lamentation, which occupies the foreground of lower half of the painting. The body of Jesus is at the center, lying over a white shroud and held by one of the Pious Women, by Nicodemus and by Joseph of Arimathea. The latter dons a richly decorated hat with flowers.
The painting was influenced by Beckmann's study of German Renaissance painters, especially Matthias Grünewald. It is a free interpretation of the episode of the Gospel of John, when Jesus saved a woman taken in adultery from those who wanted to stone her. Jesus appears at the center of the composition, having the adulteress, wearing a red veil ...