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In the 1920s, women singing jazz music were not many, but women playing instruments in jazz music were even less common. Mary Lou Williams, known for her talent as a piano player, is deemed as one of the "mothers of jazz" due to her singing while playing the piano at the same time. [4] Lovie Austin (1887–1972) was a piano player and bandleader.
Jazz was played in these speakeasies as a countercultural type of music to fit in with the illicit environment and events going on. [21] Jazz artists were therefore hired to play at speakeasies. Al Capone, the famous organized crime leader, gave jazz musicians previously living in poverty a steady and professional income.
Social groups in male and female prisons in the United States differ in the social structures and cultural norms observed in men's and women's prison populations. While there are many underlying similarities between the two sets of populations, sociologists have historically noted different formal and informal social structures within inmate populations.
In some prisons, women may be put into solitary confinement because their mental health issues prove to be too difficult for the authorities to deal with or are exhausting their resources. [11] If the prison authorities are unable to address their inmates’ health concerns, they may put them into solitary confinement to avoid solving the problem.
Although women form a minority in the global prison population, the population of incarcerated women is growing at a rate twice as fast as the male prison population. [5] Those imprisoned in China, Russia, and the United States comprise the great majority of incarcerated people, including women, in the world. [ 6 ]
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Jailed for Freedom discusses how women picketing the White House were jailed and depicts the political and social tensions of that time. Stevens shares accounts of beatings, police brutality, and cruelty faced by women protesters, as well as the injustice faced by women in prison for standing up for their rights. [2]
The root of the disconnect between the number of women on stage and the number of women in the crowd may lie partially in the male-dominated subcultures these festivals were founded out of, as Slate writer Forrest Wickman argued in 2013: “The real problem at most of these festivals lies in the alternative subcultures they celebrate.