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Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay.The tango was born in the impoverished port areas of these countries from a combination of Argentine Milonga, Spanish-Cuban Habanera, and Uruguayan Candombe celebrations. [1]
Basic step (paso básico, basico cuadrado y cruzado) is used for education purposes and almost never danced as a basic step of tango. For this reason it is sometimes called pejoratively academic basic. Nevertheless, it contains basic elements of the dance. Also, it serves a purpose of "establishing notation" to more complex tango elements.
Similarly, as the follower takes their second step (the second "slow"), CBM occurs as the left leg moves forward and the right side of the torso moves forward, causing the body to begin rotation to the left. An exaggerated CBM is the basic of some specific dance moves, e.g., Chicken Walks in Jive and East Coast Swing.
Two dancers of Argentine tango on the street in Buenos Aires. Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. [1] It typically has a 2 4 or 4 4 rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC.
Castle Walk is a dance originated and made famous by Vernon and Irene Castle. The moniker was coined from the Castle's signature dance step styling, and their touring stage show of 1913 lead with this as their signature. [1] The Castle Walk became popular through its introduction into the Tango.
When the floor is particularly crowded the couples move effectively with each step into the space where the couple in front of them just had been. The ronda enables the dancers to move in a predictable way. Knowing in roughly what direction the other people will move, helps the couples to dance calmer and more focused.
Lock step refers to any of several dance steps that involves the "locking" of the moving foot: the moving foot approaches to the standing foot, crosses in front of or behind it in the direction of the approach, stops close to the standing foot, and the weight is fully transferred to the (previously) moving foot.
Distinctive elements added from candombe were "quebradas", improvised, jerky, semi-athletic contortions, the more dramatic the better, ironical elements like walking around the partner with exaggerated tiny steps or humorous jumps, and cortes, a suggestive pause, or sudden break in the figures of the dance. Unlike in the "Tango" of that group ...