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The album takes its name from the band's apartment where the album was recorded, which the band nicknamed "The Pod". [9] The album's cover art is a takeoff of the 1975 The Best of Leonard Cohen cover; Ween simply positioned a photo of part-time bassist Mean Ween's head (wearing a "Scotchgard powered bong") over Cohen's cover art, and altered the title text and other graphics. [3]
Chocolate and Cheese is the fourth studio album by the American rock band Ween, originally released by Elektra Records in 1994. It was the first Ween album to be recorded in a professional studio, in contrast to the four-track home recordings of The Pod and Pure Guava.
Ween self-released several cassette albums from their formation until 1989. Afterward, they put out three officially-released lo-fi albums: GodWeenSatan: The Oneness (1990); The Pod (1991); and Pure Guava (1992). For Pure Guava, the band signed with major label Elektra Records.
At the Cat's Cradle, 1992 is the sixth live album by the American rock band Ween. It was released on November 25, 2008, on Chocodog Records. The 2-disc package includes a CD containing a live performance from December 9, 1992, at the Cat's Cradle in Carrboro, North Carolina. The bonus DVD contains live footage from three shows of The Pod tour.
Over the next few years, Freeman would briefly abandon the Gene Ween name and lead a new five-piece band called Freeman. Shortly after reviving the Gene Ween name as a solo act, to perform a series of Billy Joel tribute performances, Ween reunited in February 2016 for three concerts in Broomfield, Colorado. The band continued to perform and ...
"Tastes Good on th' Bun" is an outtake from The Pod, appearing on The Stallion Tape. [7] "Boys Club" was the first Ween song recorded with Glenn Mcclelland, who joined the group in 1996. [8] "I Fell In Love Today" appears on The Caesar Demos digital album of Quebec outtakes, [9] recorded between 2001-2003. It had never been performed live until ...
All Request Live is the fourth live album by the American rock band Ween, and the third to be released on their home record label Chocodog Records. The performance was webcast on July 22, 2003 [2] and released on November 22, 2003. A Pitchfork Media review calls it "unquestionably the brownest live Ween of them all." [3]
In a 2011 interview, producer Ben Vaughn remarked that, when the album was released, many Ween fans were confused by the radical break with the band's previous sound, comparing it to the fan reception given to Neil Young's album Trans. [3]