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2. Turntablism - Wikipedia

   en.wikipedia.org/wiki/Turntablism

   Often using a greater variety of vinyl emulation software rather than normal turntables, "chopped and screwed" stood out from previous standards of turntablism in its slowing of the pitch and tempo ("screwing") and syncopated beat skipping ("chopping"), among other added effects of sound manipulation. DJ Screw Robert Earl Davis of Texas ...

3. History of radio disc jockeys - Wikipedia

   en.wikipedia.org/wiki/History_of_radio_disc_jockeys

   Kaufman took over the station's 7-11PM time period for several years. His show was known for its frenetic pace that incorporated segues, jingles, sound effects, and antics. After being invited by Beatles manager Brian Epstein to travel with the band, he came to be referred to as the "Fifth Beatle". [24]

4. Rick Dees Weekly Top 40 - Wikipedia

   en.wikipedia.org/wiki/Rick_Dees_Weekly_Top_40

   Rick Dees Weekly Top 40 (sometimes known as The Weekly Top 40) is an internationally syndicated radio program created and hosted by American radio personality Rick Dees.It is currently heard on over 200 radio stations worldwide.

5. The Week in Jams - Wikipedia

   en.wikipedia.org/wiki/The_Week_in_Jams

   The Week in Jams (a re branded version of Sucker Free Countdown), was MTV2's sole hip-hop video block. It is a 2-hour top 15 countdown, airing on Sundays at 11AM ET/PT and 11PM ET/PT. Hosted by DJ Envy, Charlamagne Tha God, and Sofi Green. The series was canceled on May 26, 2013.

6. Sucker Free - Wikipedia

   en.wikipedia.org/wiki/Sucker_Free

   Sucker Free, known as Sucker Free Daily on weekdays and then Sucker Free Countdown on Sundays, was a former hip-hop video block on MTV2.Previously, Sucker Free aired weekdays for one hour, then eventually sporadically until the week leading to February 28, 2010.

7. The Final Countdown (song) - Wikipedia

   en.wikipedia.org/wiki/The_Final_Countdown_(song)

   "The Final Countdown" became a success on the charts worldwide following its release during 1986 and 1987, reaching number one in 25 countries (including the UK, where it spent two weeks at the top and is Europe's only Top 10 hit to date), [17] and is widely regarded as the band's most popular and recognizable song.