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The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
Ukiyo-e [a] is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Modern Japanese prints: printed from a photographic reproduction of two exhibition catalogues of modern Japanese prints published by the Toledo Museum of Art in 1930–1936. Ohio: Toledo Museum of Art, 1997. Brown, K. and Goodall-Cristante, H. Shin-Hanga: New Prints in Modern Japan. Los Angeles County Museum of Art, 1996. ISBN 0-295-97517-2
Munakata Shiko: Japanese Master of the Modern Print. Philadelphia and Los Angeles: Philadelphia Museum of Art and Los Angeles County Museum of Art, 2002. ISBN 1-58886-021-3; Yanagi, Sori. The Woodblock and the Artist: the Life and Work of Shiko Munakata. Tokyo, New York: Kodansha International, 1991. ISBN 4-7700-1612-3
Kanae Yamamoto's "Fisherman" (1904). Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. . It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizur
Woodblock printing existed in Tang China by the 7th century AD and remained the most common East Asian method of printing books and other texts, as well as images, until the 19th century. Ukiyo-e is the best-known type of Japanese woodblock art print.
Goyō Hashiguchi (橋口 五葉, Hashiguchi Goyō, December 21, 1880 – February 24, 1921) was a Japanese artist. At the forefront of the shin-hanga ("new prints") movement, a revival of ukiyo-e, he designed fourteen woodblock prints which are regarded as masterpieces of the genre.
Before the Mirror The Fragrance of a Bath (1930). Shinsui Itō (Japanese: 伊東 深水, romanized: Itō Shinsui; 4 February 1898 – 8 May 1972) was the pseudonym of a Nihonga painter and ukiyo-e woodblock print artist in Taishō- and Shōwa-period Japan.
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